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(单词翻译:双击或拖选)
ARI SHAPIRO, HOST:
Fifty years ago this week, NASA sent a man to the moon. Critic Bob Mondello reminds us that Hollywood got there first.
BOB MONDELLO, BYLINE1: College sophomore2 me knew exactly what the Apollo astronauts would find when they arrived on the moon - desolate3 rockscape, craters4 shining white in reflected Earth glow and a big, black monolith.
(SOUNDBITE OF FILM, "2001: A SPACE ODYSSEY5")
MONDELLO: Stanley Kubrick showed us all of that in the most popular movie of 1968, "2001: A Space Odyssey," a full 14 months before Neil Armstrong took his giant leap for mankind. And even Kubrick was late to the party. Moviegoers had been heading moonward from pretty much the moment there were filmmakers to lead the way. In 1902, George Melies led an expedition in the 13-minute "Trip To The Moon," one of the first films with an actual plot. It was not long on science. French astronauts climbed into a bullet-shaped capsule, got loaded into a cannon6 by a line of bathing beauties and got shot into space landing smack7 in the eye of the man in the moon.
(SOUNDBITE OF FILM, "A TRIP TO THE MOON")
MONDELLO: But it didn't take long for moviemakers to start getting things right. As early as 1929, Fritz Lang, after consulting with scientists, was depicting8 not a moon cannon, but what would actually be needed, a multi-stage rocket in his film "Frau Im Mond." German scientists were so pleased that in World War II they painted the film's logo on their first V-2 rocket. And then H.G. Wells got into the act with his script for "Things To Come."
(SOUNDBITE OF FILM, "THINGS TO COME")
UNIDENTIFIED ACTOR #1: (As character) Why did you let your daughter dream of going on this man moon journey?
UNIDENTIFIED ACTOR #2: (As character) Because I love her.
MONDELLO: Note that it's a woman going into space in 1936. The real world wouldn't catch up with that notion for decades.
(SOUNDBITE OF FILM, "THINGS TO COME")
UNIDENTIFIED ACTOR #1: (As character) Will they come back?
UNIDENTIFIED ACTOR #2: (As character) Yes, and go again and again till the landing is made and the moon is conquered. This is only a beginning.
MONDELLO: Indeed, it was. And it was quickly clear that it was the beginning of something expensive. Happily, with a little prodding11, postwar industrialists12 could be persuaded to finance it in 1950's "Destination Moon."
(SOUNDBITE OF FILM, "DESTINATION MOON")
UNIDENTIFIED ACTOR #3: (As character) Can you imagine me going before a meeting to my stockholders and reporting that I'd put millions into a trip to the moon? Why, son, they'd lynch me.
(LAUGHTER)
UNIDENTIFIED ACTOR #4: (As character) If we want to stay in business, we have to build this ship.
UNIDENTIFIED ACTOR #5: (As character) If it's that important a project, why doesn't the government undertake it?
UNIDENTIFIED ACTOR #6: (As character) The vast amount of brains, talents, special skills and research facilities necessary for this project are not in the government.
MONDELLO: Ouch.
(SOUNDBITE OF FILM, "DESTINATION MOON")
UNIDENTIFIED ACTOR #6: (As character) Only American industry can do this job. And American industry must get to work now, just as we did in the last war.
MONDELLO: This was the McCarthy era, and capitalism13 was the answer to a Red Scare question no one needed to ask.
(SOUNDBITE OF FILM, "DESTINATION MOON")
UNIDENTIFIED ACTOR #6: (As character) The race is on, and we'd better win it. Because there is absolutely no way to stop an attack from outer space. The first country that can use the moon for the launching of missiles will control the Earth. That gentleman is the most important military fact of this century.
MONDELLO: Quite a few of the film's other facts were also fanciful, but "Destination Moon" had its feet planted a lot more firmly on the ground than most of that era's science fiction epics14.
(SOUNDBITE OF FILM, "FROM THE EARTH TO THE MOON")
UNIDENTIFIED ACTOR #7: (As character) How does it feel, gentlemen, to behold15 a sight no human eyes have ever seen before?
MONDELLO: Audiences didn't actually get an answer to that question in Jules Verne's "From The Earth To The Moon" because the studio ran out of money before they could film the lunar scenes. But with the Soviets16 launching Sputnik in the 1950s, audiences were certainly thinking about what might be up there. And Hollywood was giving them everything from Bugs17 Bunny...
(SOUNDBITE OF FILM, "HAREDEVIL HARE")
MEL BLANC: (As Bugs Bunny) I'm alone on the moon.
MONDELLO: ...To an immortal18 classic about...
(SOUNDBITE OF FILM, "CAT-WOMEN OF THE MOON")
UNIDENTIFIED ACTOR #8: (As narrator) A lost moon city of alluring19, ferocious20 cat-women.
MONDELLO: "Cat-Women Of The Moon."
(SOUNDBITE OF FILM, "CAT-WOMEN OF THE MOON")
UNIDENTIFIED ACTOR #8: (As narrator) Theirs is the fevered fury of life without love, goading21 them to lure22 men into the den10 of bloodthirsty moon monsters.
MONDELLO: This sort of silliness is what prompted Stanley Kubrick to say a decade later that he wanted to make the first science fiction film that isn't considered trash. He went to great lengths in "2001: A Space Odyssey" to explain the physics of space travel. And because his film was so popular, the public knew what to expect...
(SOUNDBITE OF DOCUMENTARY, "MOONWALK ONE")
NEIL ARMSTRONG: OK. I'm going to step off the LM now.
MONDELLO: ...When NASA got to the moon's surface.
(SOUNDBITE OF DOCUMENTARY, "MOONWALK ONE")
ARMSTRONG: That's one small step for a man, one giant leap for mankind.
MONDELLO: That footage is in "Moonwalk One," a documentary completed just months after the lunar landing, and when it premiered at the Cannes Film Fest in 1971, it was pretty clear that Hollywood had been outflanked. Hard to top the real thing, especially when the whole world had seen it on TV. Before we'd landed on the moon, movies speculated about what we'd find. Now that we knew what we'd find, movies made jokes. In "Diamonds Are Forever," Sean Connery's 007...
(SOUNDBITE OF FILM, "DIAMONDS ARE FOREVER")
UNIDENTIFIED ACTOR #9: (As character) There he is. Come on.
MONDELLO: ...Stumbled on a facility in the desert that was faking a moonwalk.
(SOUNDBITE OF FILM, "DIAMONDS ARE FOREVER")
UNIDENTIFIED ACTOR #10: (As character) What the hell is this? Stop him, Harry23.
MONDELLO: Bond had no trouble evading24 actor astronauts, who were bouncing in slow motion around a studio moonscape. Kid flicks26, like "Space Camp" and "Stowaway27 To The Moon," traded on children's enthusiasm for NASA, and a couple of animated28 cheese fans, Wallace and Gromit, decided29 in "A Grand Day Out" they wanted a taste of the landscape.
(SOUNDBITE OF FILM, "A GRAND DAY OUT")
PETER SALLIS: (As Wallace) Mmm. I don't know, lad. It's like no cheese I've ever tasted.
MONDELLO: But these were all goofs30. It wasn't until more than 20 years - a full generation had gone by - that filmmakers began to deal realistically again with moon missions, never more effectively than in an award-winning thriller31 about the real-life mission that had given the world a new catchphrase.
(SOUNDBITE OF FILM, "APOLLO 13")
TOM HANKS: (As Jim Lovell) Houston, we have a problem.
MONDELLO: The film "Apollo 13" came out in 1995 and was hugely popular. But by that time, the last moonwalk was decades old and there was no new material for other true-life films to play with. Besides, realism about the moon with fictional32 stories taking audiences to galaxies33 far, far away? No. What Hollywood served up was fantasy.
(SOUNDBITE OF FILM, "AUSTIN POWERS: THE SPY WHO SHAGGED ME")
MIKE MYERS: (As Austin Powers) Mission control, the swinger has landed. Yeah.
MONDELLO: Austin Powers, and despicable Gru and his minions34.
(SOUNDBITE OF FILM, "DESPICABLE ME")
STEVE CARELL: (As Gru) The plan is simple. I fly to the moon. I shrink the moon. I sit on the toilet with - what?
(LAUGHTER)
MONDELLO: And the moon as bad-guy playground became a thing in movies as varied35 as "Transformers III," the horror flick25 "Apollo 18" - there were 17 Apollo missions - and an evil corporation thriller, simply titled, "Moon." And someone thought it was worth spending a hundred-million dollars to make this little epic9.
(SOUNDBITE OF MOVIE TRAILER, "THE ADVENTURES OF PLUTO36 NASH")
UNIDENTIFIED ACTOR #11: (As narrator) There is a giant rock called the moon...
(SOUNDBITE OF MUSIC)
UNIDENTIFIED ACTOR #11: (As narrator) And in the year 2087, its future will be in the hands of one man.
(SOUNDBITE OF MUSIC)
EDDIE MURPHY: (As Pluto Nash, laughter).
(SOUNDBITE OF C AND C MUSIC FACTORY SONG, "GONNA MAKE YOU SWEAT (EVERYBODY DANCE NOW)")
UNIDENTIFIED ACTOR #11: (As narrator) Eddie Murphy is...
UNIDENTIFIED ACTOR #12: (As character) Pluto Nash?
MONDELLO: For the money they invested in "The Adventures Of Pluto Nash," they could nearly have sent Eddie Murphy into space. Might have been smarter, since almost no one saw the movie. By then though, a pattern had developed. Just as it had taken a full generation before Hollywood recreated a real lunar mission in "Apollo 13," it took another generation before the film industry came around again. This one was called "First Man," and last year, in tracing Neil Armstrong's path to that giant leap, particularly in the Gemini missions that preceded Apollo, it found plenty of drama.
(SOUNDBITE OF FILM, "FIRST MAN")
RYAN GOSLING: (As Neil Armstrong) Meter 200 and rising.
MONDELLO: Ryan Gosling's Neil Armstrong confronting a capsule that was pinwheeling in space...
(SOUNDBITE OF FILM, "FIRST MAN")
GOSLING: (As Neil Armstrong, breathing heavily).
MONDELLO: ...Claire Foy, as Armstrong's wife, confronting NASA officials who'd cut off public access to communications.
(SOUNDBITE OF FILM, "FIRST MAN")
KYLE CHANDLER: (As Deke) Jan, the ship is stable. They're going to be all right.
CLAIRE FOY: (As Jan Armstrong) Fine. Turn the box back on.
CHANDLER: (As Deke) On their security protocol37...
FOY: (As Jan Armstrong) Well, I don't give a damn. I've got a dozen cameras on my front lawn, Deke. Do you want me telling them what's going on?
CHANDLER: (As Deke) Jan, you have to trust us. We've got this under control.
FOY: (As Jan Armstrong) No, you don't. All these protocols38 and procedures to make it seem like you have it under control - but you're a bunch of boys making models out of balsa wood. You don't have anything under control.
MONDELLO: And that summed up, better than the film's thundering Saturn39 rockets and state-of-the-art of the art effects, what all of these movies had been about, humankind looking up at the moon with childlike wonder and dreaming of traveling there. Now we could, which was filled with possibility and risk, and in Hollywood's telling, vivid cinematic thrills. But the real drama of going to the moon was and remains40 the human drama.
I'm Bob Mondello.
(SOUNDBITE OF SONG, "FLY ME TO THE MOON")
FRANK SINATRA: (Singing) Fly me to the moon. Let me play among the stars.
1 byline | |
n.署名;v.署名 | |
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2 sophomore | |
n.大学二年级生;adj.第二年的 | |
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3 desolate | |
adj.荒凉的,荒芜的;孤独的,凄凉的;v.使荒芜,使孤寂 | |
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4 craters | |
n.火山口( crater的名词复数 );弹坑等 | |
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5 odyssey | |
n.长途冒险旅行;一连串的冒险 | |
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6 cannon | |
n.大炮,火炮;飞机上的机关炮 | |
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7 smack | |
vt.拍,打,掴;咂嘴;vi.含有…意味;n.拍 | |
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8 depicting | |
描绘,描画( depict的现在分词 ); 描述 | |
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9 epic | |
n.史诗,叙事诗;adj.史诗般的,壮丽的 | |
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10 den | |
n.兽穴;秘密地方;安静的小房间,私室 | |
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11 prodding | |
v.刺,戳( prod的现在分词 );刺激;促使;(用手指或尖物)戳 | |
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12 industrialists | |
n.工业家,实业家( industrialist的名词复数 ) | |
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13 capitalism | |
n.资本主义 | |
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14 epics | |
n.叙事诗( epic的名词复数 );壮举;惊人之举;史诗般的电影(或书籍) | |
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15 behold | |
v.看,注视,看到 | |
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16 soviets | |
苏维埃(Soviet的复数形式) | |
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17 bugs | |
adj.疯狂的,发疯的n.窃听器( bug的名词复数 );病菌;虫子;[计算机](制作软件程序所产生的意料不到的)错误 | |
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18 immortal | |
adj.不朽的;永生的,不死的;神的 | |
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19 alluring | |
adj.吸引人的,迷人的 | |
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20 ferocious | |
adj.凶猛的,残暴的,极度的,十分强烈的 | |
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21 goading | |
v.刺激( goad的现在分词 );激励;(用尖棒)驱赶;驱使(或怂恿、刺激)某人 | |
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22 lure | |
n.吸引人的东西,诱惑物;vt.引诱,吸引 | |
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23 harry | |
vt.掠夺,蹂躏,使苦恼 | |
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24 evading | |
逃避( evade的现在分词 ); 避开; 回避; 想不出 | |
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25 flick | |
n.快速的轻打,轻打声,弹开;v.轻弹,轻轻拂去,忽然摇动 | |
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26 flicks | |
(尤指用手指或手快速地)轻击( flick的第三人称单数 ); (用…)轻挥; (快速地)按开关; 向…笑了一下(或瞥了一眼等) | |
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27 stowaway | |
n.(藏于轮船,飞机中的)偷乘者 | |
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28 animated | |
adj.生气勃勃的,活跃的,愉快的 | |
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29 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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30 goofs | |
n.呆瓜( goof的名词复数 )v.弄糟( goof的第三人称单数 );混;打发时间;出大错 | |
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31 thriller | |
n.惊险片,恐怖片 | |
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32 fictional | |
adj.小说的,虚构的 | |
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33 galaxies | |
星系( galaxy的名词复数 ); 银河系; 一群(杰出或著名的人物) | |
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34 minions | |
n.奴颜婢膝的仆从( minion的名词复数 );走狗;宠儿;受人崇拜者 | |
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35 varied | |
adj.多样的,多变化的 | |
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36 Pluto | |
n.冥王星 | |
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37 protocol | |
n.议定书,草约,会谈记录,外交礼节 | |
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38 protocols | |
n.礼仪( protocol的名词复数 );(外交条约的)草案;(数据传递的)协议;科学实验报告(或计划) | |
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39 Saturn | |
n.农神,土星 | |
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40 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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