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They would have to go steerage on the ship, but it was only three days after all, not too bad. Not like the weeks and weeks between England and the Antipodes. All they could afford to take with them were clothes, china, cutlery, household linens2, cooking utensils3 and those shelves of precious books; the furniture would have to be sold to cover the cost of shipping4 Fee's few bits and pieces in the parlor5, her spinet6 and rugs and chairs. "I won't hear of your leaving them behind," Paddy told Fee firmly. "Are you sure we can afford it?"
"Positive. As to the other furniture, Mary says she's readying the head stockman's house and that it's got everything we're likely to be needing. I'm glad we don't have to live in the same house as Mary."
"So am I," said Fee.
Paddy went into Wanganui to book them an eight-berth steerage cabin on the Wahine; strange that the ship and their nearest town should have the same name. They were due to sail at the end of August, so by the beginning of that month everyone started realizing the big adventure was actually going to happen. The dogs had to be given away, the horses and the buggy sold, the furniture loaded onto old Angus MacWhirter's dray and taken into Wanganui for auction7, Fee's few pieces crated8 along with the china and linen1 and books and kitchen goods.
Frank found his mother standing9 by the beautiful old spinet, stroking its faintly pink, streaky paneling and looking vaguely10 at the powdering of gold dust on her fingertips.
"Did you always have it, Mum?" he asked.
"Yes. What was actually mine they couldn't take from me when I married. The spinet, the Persian carpets, the Louis Quinze sofa and chairs, the Regency escritoire. Not much, but they were rightfully mine." The grey, wistful eyes stared past his shoulder at the oil painting on the wall behind him, dimmed with age a little, but still showing clearly the golden-haired woman in her pale-pink lace gown, crinolined with a hundred and seven flounces. "Who was she?" he asked curiously11, turning his head. "I've always wanted to know."
"A great lady."
"Well, she's got to be related to you; she looks like you a bit." "Her? A relation of mine?" The eyes left their contemplation of the picture and rested on her son's face ironically. "Now, do I look as if I could ever have had a relative like her?"
"Yes."
"You've cobwebs in your brain; brush them out."
他们打算坐统舱去,好在毕竟只有三天的路程,还不算太糟糕。不象从英国到南半球那样,得走好几个星期。他们能出得起钱。带走的东西是衣物、磁器、刀叉、被单、床单、炊具和那几格珍贵的书籍。家具不得不卖掉,以偿付菲卧室里的那几件东西--古钢琴、小地毯和椅子--的运费。
"我不愿意听你说把它们留下来的话。"帕迪坚决地跟菲说道。
"你肯定我们花得起这份钱吗?"
"没问题。至于其它的家具嘛:玛丽说她为我们准备下了牧场工头的房子,我们可能需要的那里都一应俱全。我很高兴,我们用不着和玛丽住在同一座房子里。"
"我也很高兴。"菲说道。
帕迪到旺加努伊给他们在"韦汉"号上订了八张统舱的铺位。令人奇怪的是,这艘船和离他们最近的镇子同名。他们定在八月底上路,因此,一到八月初,每个人都开始感到他们真的就要进行这次关系重大的冒险了。那几只狗得送人,马匹和轻便马车卖掉了,家具装上了老安梅斯·麦克怀尔特家的大车,运到旺加努伊去拍卖;菲的那几件东西和磁器、床单和被单、书籍以及厨房用具一起装进了板条箱。
弗兰克发现他母亲站在那架漂亮而陈旧的古钢琴旁,抚摸着那淡粉色的带条纹的饰板,呆呆地望着沾在指尖上的金粉。
"妈,它一直就是你的吗?"他问道。
"是的。是我结婚的时候,他们不能从我这儿拿走的东西。这架古钢琴、波斯小地毯、路易十五时期的沙发和椅子、还有摄政时期的写字台。东西不多,不过它们理所当然地是属于我的。"那双灰色、忧郁的眼睛越赤他的肩头,凝视着挂在他身后墙上的那张油画;由于年深日久,那画的色彩有些暗淡了,但那穿着镶有浅粉色花边、周围有107个褶边的长裙的金发女人却依然清晰可见。
"她是谁?"他转过头去,好奇地问道。"我一直想知道。"
"一位了不起的太太。"
"哦,她准定和你有亲属关系,她和你有点儿象呢。"
"她?我的亲戚?"那双沉思的眼睛离开了画像,讥讽地落在了儿子的脸上。"哦,我看上去象有她这样一位亲戚吗?"
"象。"
"你糊涂了,仔细想想吧。"
点击收听单词发音
1 linen | |
n.亚麻布,亚麻线,亚麻制品;adj.亚麻布制的,亚麻的 | |
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2 linens | |
n.亚麻布( linen的名词复数 );家庭日用织品 | |
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3 utensils | |
器具,用具,器皿( utensil的名词复数 ); 器物 | |
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4 shipping | |
n.船运(发货,运输,乘船) | |
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5 parlor | |
n.店铺,营业室;会客室,客厅 | |
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6 spinet | |
n.小型立式钢琴 | |
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7 auction | |
n.拍卖;拍卖会;vt.拍卖 | |
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8 crated | |
把…装入箱中( crate的过去式 ) | |
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9 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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10 vaguely | |
adv.含糊地,暖昧地 | |
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11 curiously | |
adv.有求知欲地;好问地;奇特地 | |
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