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PEOPLE IN AMERICA -February 3, 2002: George Abbott
By Nancy Steinbach
VOICE 1:
I'm Shirley Griffith.
VOICE 2:
And I'm Steve Ember with the Special English program. People in America. Every week we tell about a person
important in the history of the United States. Today, we tell about the man known as "Mr. broadway," George
Abbott.
(Theme)
VOICE 1:
Experts say probably no one in the history of the American theater influenced it more than George Abbott. He
lived to be one-hundred-seven years old. He remained active until he died, January thirty-first, nineteen-ninetyfive.
You can tell the history of the Broadway theater area in New York City by telling the story of George Abbott's
life. He wrote plays. He directed them. He produced plays. And he acted in them. He was involved in more than
one-hundred-twenty productions. Some of his most popular shows were musicals. They include "Jumbo," "Pal1
Joey," "Call Me Madam," "Pajama Game," "Fiorello!" and "Damn2 Yankees. " In some years, he had three hit
shows at the same time.
VOICE 2:
"Damn Yankees" opened in New York in nineteen-fifty-five. George Abbott helped write the musical play. And
he directed it. It won eight of the Tony Awards given each year for the best theater productions on Broadway. In
nineteen-ninety-four, another performance of "Damn Yankees" opened on Broadway. George Abbott helped with
the production. He was one-hundred-six years old.
"Damn Yankees" is about a baseball player on the Washington senators3 baseball team. He sells his soul to the
devil4 so the senators will win the championship. A major person in the play is a beautiful woman who works5 for
the devil. Her name is lola. One of the best known songs from that show is "whatever lola wants":
((Cut 1: Whatever Lola Wants))
VOICE 1:
George Francis Abbott was born in eighteen-eighty-seven, in New York state. His family moved to the western
state of Wyoming when he was eleven years old.
George worked as a cowboy during summers before the family moved back to New York state, near the city of
Buffalo6. He attended the University of Rochester, where he played football and took part in the acting7 club. He
then studied play writing at Harvard University. In nineteen-twelve, he won one -hundred dollars for a play he
wrote called "The Man in the Manhole."
George Abbott moved to New York City in nineteen-thirteen. But he had a slow start in the theater. He did not
get many acting jobs. Two years later, he became an assistant to a theater producer. Soon he was deeply involved
with re-writing plays and producing them. He had his first hit show in nineteen-twenty-six. It was called
"Broadway."
VOICE 2:
George Abbott worked in Hollywood too. He was involved in producing eleven movies between nineteen-
twenty-eight and nineteen-fifty-eight. "All Quiet on the Western Front" was one of the most praised. He also
produced films of the musical plays "Damn Yankees," "Where's Charley." And "The Pajama Game".
A few weeks before his death, Mr. Abbott reportedly was working on a new version8 of "The Pajama Game." The
musical play is about workers in a pajama factory. The clothing workers are planning to strike for more pay. How
much more ... seven-and-a-half cents:
((Cut 2: Seven and a Half Cents))
VOICE 1:
Beginning in nineteen-twenty, George Abbott had at least one play on broadway each year. Sometimes there
were as many as five.
Mr. Abbott liked working with young, unknown actors. He once said a producer was better off if he did not have
a star in his show. He said working without a star saves money and damage to the nerves9! that is why George
Abbott gave acting jobs to actors who were unknown at the time. Many became very famous. Helen Hayes, Gene10
Kelley, Eddie Albert, Shirley maclaine, and Carol Burnett are just a few. He also helped unknown song writers,
dancers and producers like Harold Prince, Leonard Bbernstein, Bob Fosse and Jerome Robbins.
George Abbott changed the American theater in many ways. He was the first to produce musical shows that were
serious dramas, not just light love stories. And he was the first producer to use ballet dancers in a musical show.
He worked with the ballet expert George Balanchine. That was in nineteen-thirty-six. The play was "On Your
Toes. " The music was "Slaughter11 on Tenth Avenue":
((CUT 3: Slaughter on Tenth Avenue)
VOICE 2:
George Abbott won just about every award a person can win in the theater. He received a special Tony Award for
his lifetime of work. He also received the Kennedy Center lifetime achievement award in nineteen-eighty-two.
And he won Tony awards for four of his musical shows including "Ffiorello!"
"Fiorello!" also won the Pulitzer Prize for drama after it opened in nineteen-fifty-nine. It is about the life of
Fiorello LaGuardia, the mayor12 of New York City during the nineteen-forties. Many critics said the song "Little
Tin Box" was the best in the show. It makes fun of the way politicians try to explain their actions when they are
accused of spending public money for their own use. Here is "Little Tin Box" from "Fiorello!":
((CUT 4: Little Tin Box))
VOICE 1:
George Abbott earned millions of dollars in the theater. But he did not spend his money freely13. He always helped
the poor, however. And he quietly provided14 money to produce shows that no one else would support.
Mr. Abbott was married three times. He had a daughter who also worked in the theater. She died in nineteen-
eighty-four.
VOICE 2:
George Abbott was always involved in new projects, usually several at one time. But he always took care of his
health. He said it was important to eat three meals a day and get enough sleep each night.
He always wore a suit and tie. And he always said what was necessary, not a word more. For Mr. Abbott, the
play was the most important thing, and nothing was permitted to interfere15. Actors and people who went to his
plays loved him for it.
When George Abbott celebrated16 his one-hundredth birthday in nineteen-eighty-seven, theater actors honored17 him
with a big party. They also performed for him. They ended their show with a song George Abbott especially
liked. So we thought we would end with it too. It is called "Heart," from George Abbott's show, "Damn Yankees.
"
((Cut 4: Heart)
)
VOICE 1:
This Special English program was written by Nancy Steinbach and produced by Lawan Davis. I'm Shirley
Griffith.
VOICE 2:
And I'm Steve Ember. Listen again next week for another People in America program on the Voice of America.
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1 pal | |
n.朋友,伙伴,同志;vi.结为友 | |
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2 damn | |
int.该死,他妈的;vt.指责,贬斥,诅咒 | |
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3 senators | |
n.参议员( senator的名词复数 ) | |
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4 devil | |
n.魔鬼,恶魔 | |
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5 works | |
n.作品,著作;工厂,活动部件,机件 | |
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6 buffalo | |
n.(北美)野牛;(亚洲)水牛 | |
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7 acting | |
n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
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8 version | |
n.版本;型号;叙述,说法 | |
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9 nerves | |
n.神经紧张 vt.鼓起勇气 | |
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10 gene | |
n.遗传因子,基因 | |
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11 slaughter | |
n.屠杀,屠宰;vt.屠杀,宰杀 | |
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12 mayor | |
n.市长 | |
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13 freely | |
adv.自由地,随便地,无拘无束地 | |
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14 provided | |
conj.假如,若是;adj.预备好的,由...供给的 | |
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15 interfere | |
v.(in)干涉,干预;(with)妨碍,打扰 | |
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16 celebrated | |
adj.有名的,声誉卓著的 | |
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17 honored | |
adj.光荣的:荣幸的v.尊敬,给以荣誉( honor的过去式和过去分词 ) | |
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