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(单词翻译:双击或拖选)
AUDIE CORNISH, HOST:
Connections are important, especially in business. Think of the adage1 it's not so much what you know, it's who you know. A new movie centers on a guy who takes that notion to extremes. It's called "Norman: The Moderate Rise And Tragic2 Fall Of A New York Fixer." Critic Bob Mondello has a review.
BOB MONDELLO, BYLINE3: People run the other way when they see Norman Oppenheimer coming - if they see him coming - say, the assistant to a rich guy's assistant who's jogging in Central Park.
(SOUNDBITE OF FILM, "NORMAN: THE MODERATE RISE AND TRAGIC FALL OF A NEW YORK FIXER")
RICHARD GERE: (As Norman Oppenheimer) Good morning, Bill. Norman Oppenheimer
DAN STEVENS: (As Bill Kavish) You stalking me now?
GERE: (As Norman Oppenheimer) No. I just need a couple minutes of your time. I know you're busy.
STEVENS: (As Bill Kavish) This is my private time. Please, respect that. Call the office.
GERE: (As Norman Oppenheimer) I'm sorry, sir. Let me explain. Give me one minute.
STEVENS: (As Bill Kavish) No.
GERE: (As Norman Oppenheimer) A very high official, I can't mention his name right now.
MONDELLO: Norman, played by Richard Gere in overdrive, always has an angle, a deal, something he's sure will make your life better.
(SOUNDBITE OF FILM, "NORMAN: THE MODERATE RISE AND TRAGIC FALL OF A NEW YORK FIXER")
GERE: (As Norman Oppenheimer) I wouldn't be doing this if I didn't think it was worth Joe's time. Worse comes to worst, he kicks me out the door.
STEVENS: (As Bill Kavish) No. Worse comes to worst, he kicks me out the door. It is my job to keep people like you away. Don't you get that?
GERE: (As Norman Oppenheimer) Yes.
STEVENS: (As Bill Kavish) So please, respect my position.
MONDELLO: And he jogs away. And Norman calls after him, salvaging4 what he can.
(SOUNDBITE OF FILM, "NORMAN: THE MODERATE RISE AND TRAGIC FALL OF A NEW YORK FIXER")
GERE: (As Norman Oppenheimer) So I'll tell my partners that we had a good conversation. And we'll see what happens, OK? Thank you, Bill.
MONDELLO: Norman does not look unhappy with this outcome as he heads to his next meeting - actually, a public forum5, a very low-level Israeli official talking energy issues. Norman follows the guy after the forum, strikes up a conversation as he enters an expensive clothing shop.
(SOUNDBITE OF FILM, "NORMAN: THE MODERATE RISE AND TRAGIC FALL OF A NEW YORK FIXER")
GERE: (As Norman Oppenheimer) We're going to dinner at his house tonight. You can join me.
LIOR ASHKENAZI: (As Eshel) How do you know Martha Taub (ph)?
GERE: (As Norman Oppenheimer) Oh, my wife used to babysit her. And then she ended up working for him years later, very close.
MONDELLO: Norman hangs around as the guy tries on a suit, talking and talking until...
(SOUNDBITE OF FILM, "NORMAN: THE MODERATE RISE AND TRAGIC FALL OF A NEW YORK FIXER")
ASHKENAZI: (As Eshel) Do not wear a suit that costs more than ordinary man's car.
GERE: (As Norman Oppenheimer) Well, at least take the shoes.
ASHKENAZI: (As Eshel) No - enough. I don't want them.
MONDELLO: How do you ingratiate yourself with power? Make a gesture.
(SOUNDBITE OF FILM, "NORMAN: THE MODERATE RISE AND TRAGIC FALL OF A NEW YORK FIXER")
GERE: (As Norman Oppenheimer) Let me buy you the shoes. It'd be my privilege to buy you these shoes.
MONDELLO: It's a great gesture until the clerk brings the receipt - thousand dollar shoes. But Norman sucks it up and gets Israeli deputy Micah Eshel's (ph) card to flash around when he's bragging6 about his famous pals7, a connection he figures has been made - an expensive connection.
Of course, since he's a chronic8 exaggerator, no one is going to believe him, especially as Eshel starts rising politically. And a couple of years later when Israeli Prime Minister Eshel returns to New York, even Norman figures the jig9 is up. Having weaseled his way onto a reception line, he's terrified of being found out.
(SOUNDBITE OF FILM, "NORMAN: THE MODERATE RISE AND TRAGIC FALL OF A NEW YORK FIXER")
UNIDENTIFIED ACTOR #1: (As character) You OK?
GERE: (As Norman Oppenheimer) Yeah. Yeah, I'm fine. I've been reacting to something in the room. I don't know.
MONDELLO: Let's just avert10 our eyes from what happens next. Could Norman handle it if things went well for him? Well, the film's subtitle11 is "The Moderate Rise And Tragic Fall Of A New York Fixer." Still, director Joseph Cedar12 gives Norman's moments of triumph the sort of showcase that 1940s musicals gave great tap dancers, surrounding him with an impressive chorus - Steve Buscemi as a rabbi who trusts Norman more than he should, Dan Stevens and Michael Sheen as up-and-comers who don't trust him at all, Charlotte Gainsbourg as a lawyer who really listens to what he has to say, not always a good thing. All of them circling Richard Gere's scheming, well-meaning, increasingly-in-over-his-head fixer.
(SOUNDBITE OF FILM, "NORMAN: THE MODERATE RISE AND TRAGIC FALL OF A NEW YORK FIXER")
GERE: (As Norman Oppenheimer) Oh, my name? My name is Norman Oppenheimer. Yeah. No, Mr. Eshel's a very, very close friend of mine.
MONDELLO: Gere is mesmerizing13, making Norman every bit as crazily engaging as he is annoying.
(SOUNDBITE OF FILM, "NORMAN: THE MODERATE RISE AND TRAGIC FALL OF A NEW YORK FIXER")
GERE: (As Norman Oppenheimer) I got a meeting.
UNIDENTIFIED ACTOR #2: (As character) How'd you manage that?
MONDELLO: In real life, you might well cross the street if you saw Norman coming. But from a distance on a movie screen, he is fascinating company. I'm Bob Mondello.
(SOUNDBITE OF MUSIC)
1 adage | |
n.格言,古训 | |
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2 tragic | |
adj.悲剧的,悲剧性的,悲惨的 | |
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3 byline | |
n.署名;v.署名 | |
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4 salvaging | |
(从火灾、海难等中)抢救(某物)( salvage的现在分词 ); 回收利用(某物) | |
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5 forum | |
n.论坛,讨论会 | |
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6 bragging | |
v.自夸,吹嘘( brag的现在分词 );大话 | |
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7 pals | |
n.朋友( pal的名词复数 );老兄;小子;(对男子的不友好的称呼)家伙 | |
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8 chronic | |
adj.(疾病)长期未愈的,慢性的;极坏的 | |
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9 jig | |
n.快步舞(曲);v.上下晃动;用夹具辅助加工;蹦蹦跳跳 | |
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10 avert | |
v.防止,避免;转移(目光、注意力等) | |
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11 subtitle | |
n.副题(书本中的),说明对白的字幕 | |
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12 cedar | |
n.雪松,香柏(木) | |
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13 mesmerizing | |
adj.有吸引力的,有魅力的v.使入迷( mesmerize的现在分词 ) | |
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