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Germany's 'Babylon Berlin' Crime Series Is Like 'Cabaret' On Cocaine1
KELLY MCEVERS, HOST:
German TV series are getting popular here in the U.S. First there was "Deutschland 83." Then there was "Dark." And now the latest is a crime series set in 1920s Berlin. It's called "Babylon Berlin," and it's out today on Netflix. Esme Nicholson reports it explores the Weimar era's raging nightlife and brutal2 criminal underbelly.
(SOUNDBITE OF SEVERIJA JANUSAUSKAITE SONG, "ZU ASCHE, ZU STAUB (PSYCHO NIKOROS)")
ESME NICHOLSON, BYLINE3: It's 1929, and the capital of the Weimar Republic is a hedonistic city of extremes. True to the party drug of the era, you could say this series is "Cabaret" on cocaine.
(SOUNDBITE OF SONG, "ZU ASCHE, ZU STAUB (PSYCHO NIKOROS)")
SEVERIJA JANUSAUSKAITE: (Singing in German).
NICHOLSON: The first season of "Babylon Berlin" is set a few months before the Wall Street crash, before the rise of fascism. And it depicts4 a city on the edge of an abyss. Co-creator Achim von Borries says a German period drama that's not about World War II or the Cold War is long overdue5.
ACHIM VON BORRIES: In the '20s, it was really the capital of the world. And nobody really knows about it because, of course, the monstrosity of the Nazi6 period afterwards is so huge.
NICHOLSON: In the city where Albert Einstein, Bertolt Brecht, Kurt Weill and Marlene Dietrich set the artistic7 and intellectual pulse, "Babylon Berlin" follows a different beat - that of Police Inspector8 Gereon Rath. Writer and director Tom Tykwer, best known for his 1998 film "Run Lola Run," says Weimar Berlin was as rich in crime as it was in culture.
TOM TYKWER: We had some really famous serial9 killers10, some really ugly crimes that came from Berlin and that created a myth about the darkness and the filthiness11 of the city.
(SOUNDBITE OF JOHNNY KLIMEK AND TOM TYKWER'S "EINE FRAU IN BERLIN")
NICHOLSON: In the first episode, Inspector Rath and his partner Wolter arrest a former colleague who's now a heroin12 addict13 living on the streets.
(SOUNDBITE OF TV SHOW, "BABYLON BERLIN")
PETER KURTH: (As Bruno Wolter, speaking German).
NICHOLSON: Wolter mocks him for being a so-called trembler, a First World War veteran suffering from shell shock. Inspector Rath remain silent because he, too, suffers, but suppresses his shakes with regular doses of morphine.
ULRIKE ZITZLSPERGER: You've got lots of veterans. You've got people who've lost limbs, and thousands.
NICHOLSON: Ulrike Zitzlsperger is a Weimar Berlin specialist and professor of German studies. Sitting in a replica14 of a 1920s cafe, she says these men were visceral reminders15 of the trenches16.
ZITZLSPERGER: There's a lot of talk about an emasculated society at the time. In Germany, these men are no heroes. You can't talk about the war. You want to move on. So the trauma17 is absolutely horrific.
NICHOLSON: In "Babylon Berlin," this damaged generation that can't sleep for PTSD finds solace18 in night clubs. Director Tom Tykwer says clubbing was cheap, and all walks of life met on the dance floor or in the brothel below.
TYKWER: Nightlife then was spectacular and very experimental with lots of diverse clubs for more or less any kind of taste.
NICHOLSON: Tykwer's co-creator, Henk Handloegten, says there are similarities between the nightlife of 1920s Berlin and that of today. Take the music.
HENK HANDLOEGTEN: If you take techno music and you take people from the '20s on film and they are dancing the Charleston, it matches perfectly19.
(SOUNDBITE OF MOKA EFTI ORCHESTRA'S "TRESOR UNSER")
NICHOLSON: In one episode, Bryan Ferry takes to the stage to perform Roxy Music numbers for the Jazz Age, lending a bit of '70s glam.
(SOUNDBITE OF THE BRYAN FERRY ORCHESTRA'S "DANCE AWAY")
NICHOLSON: It's in one of these clubs that we reach the female lead, Lotte Ritter. By day she's a typist at the police headquarters, by night a casual prostitute in the club's fetish center, where she earns extra cash to escape her squalid tenement20. She's an emancipated21 Weimar woman now even allowed to vote, and she's the perfect foil to Inspector Rath's shattered male soul. As his unofficial sidekick, Lotte ventures with Rath into Berlin's criminal underworld. Cultural historian Ulrike Zitzlsperger.
ZITZLSPERGER: It's a perfect setting. There's a real obsession22 with serial killers. You get types of cannibalism23. Then you get political crimes. It is a tense climate between Communists and National Socialists24 that's heating up. So the awareness25 of an underbelly is really quite strong.
NICHOLSON: "Babylon Berlin" captures the dark glamour26 of a briefly27 exhilarating time between the wars. And for today's Berliners, faced with the city's steady, sterile28 gentrification, the show offers a welcome dose of escapism. For NPR News, I'm Esme Nicholson in Berlin.
(SOUNDBITE OF THE BRYAN FERRY ORCHESTRA'S "DANCE AWAY")
1 cocaine | |
n.可卡因,古柯碱(用作局部麻醉剂) | |
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2 brutal | |
adj.残忍的,野蛮的,不讲理的 | |
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3 byline | |
n.署名;v.署名 | |
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4 depicts | |
描绘,描画( depict的第三人称单数 ); 描述 | |
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5 overdue | |
adj.过期的,到期未付的;早该有的,迟到的 | |
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6 Nazi | |
n.纳粹分子,adj.纳粹党的,纳粹的 | |
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7 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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8 inspector | |
n.检查员,监察员,视察员 | |
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9 serial | |
n.连本影片,连本电视节目;adj.连续的 | |
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10 killers | |
凶手( killer的名词复数 ); 消灭…者; 致命物; 极难的事 | |
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11 filthiness | |
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12 heroin | |
n.海洛因 | |
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13 addict | |
v.使沉溺;使上瘾;n.沉溺于不良嗜好的人 | |
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14 replica | |
n.复制品 | |
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15 reminders | |
n.令人回忆起…的东西( reminder的名词复数 );提醒…的东西;(告知该做某事的)通知单;提示信 | |
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16 trenches | |
深沟,地沟( trench的名词复数 ); 战壕 | |
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17 trauma | |
n.外伤,精神创伤 | |
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18 solace | |
n.安慰;v.使快乐;vt.安慰(物),缓和 | |
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19 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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20 tenement | |
n.公寓;房屋 | |
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21 emancipated | |
adj.被解放的,不受约束的v.解放某人(尤指摆脱政治、法律或社会的束缚)( emancipate的过去式和过去分词 ) | |
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22 obsession | |
n.困扰,无法摆脱的思想(或情感) | |
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23 cannibalism | |
n.同类相食;吃人肉 | |
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24 socialists | |
社会主义者( socialist的名词复数 ) | |
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25 awareness | |
n.意识,觉悟,懂事,明智 | |
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26 glamour | |
n.魔力,魅力;vt.迷住 | |
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27 briefly | |
adv.简单地,简短地 | |
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28 sterile | |
adj.不毛的,不孕的,无菌的,枯燥的,贫瘠的 | |
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