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STEVE INSKEEP, HOST:
The costumes are among the stars of "The Marvelous Mrs. Maisel," the hit Amazon TV series about a young comedienne in the late 1950s, early '60s. Everybody wears these colorful period-perfect outfits1. They're so amazing, even I notice. Designer Donna Zakowska has won two Emmy awards for her work on the show. And tonight, she is up for an award from the Costume Designers Guild2. Reporter Jeff Lunden visited her studio in Brooklyn.
JEFF LUNDEN, BYLINE3: If you're a fan of "The Marvelous Mrs. Maisel," the last thing you'd expect when you meet Donna Zakowska is that she's dressed entirely4 in black - black shirt, black pants, black boots. But don't worry. Her studio is drenched5 in color...
DONNA ZAKOWSKA: I'll pull this out for a second. It's pretty wild.
LUNDEN: ...Like when she shows me fabric6 swatches, thousands of them...
ZAKOWSKA: You know, we'll look at, like, practically 200 pieces of pink wool and then say, well, yeah, I think that's the color. And then sometimes we have to say, but I think we need to dye a little bit of lavender in it and then we'll hit it.
LUNDEN: ...Or racks of Midge Maisel's coats.
ZAKOWSKA: As you can see behind you, there's, like, a rainbow world of the coats.
LUNDEN: The world of "The Marvelous Mrs. Maisel" is a romanticized fantasy of color. And color comes naturally to Donna Zakowska, who initially7 trained as a painter and a dancer.
ZAKOWSKA: I think all of this sort of evolved into costume design, you know, the idea of color moving in space.
RACHEL BROSNAHAN: She understands how color and shape and texture8 can tell a story just as efficiently9 as the way the camera moves or the dialogue.
LUNDEN: Rachel Brosnahan plays Midge Maisel. She says Donna Zakowska's costumes - and there are a lot of them - helped define the way she plays her character.
BROSNAHAN: These costumes change the way I move and breathe and walk and talk, the way I hold my head. I don't feel complete until I look in the mirror and I have the full costume on and hair and makeup10 exactly right. Then I feel like I can just step in and do the acting11 part.
(SOUNDBITE OF TV SHOW, "THE MARVELOUS MRS. MAISEL")
BROSNAHAN: (As Midge Maisel) What happened to my clothes?
TONY SHALHOUB: (As Abe Weissman) Have you worn all these dresses?
BROSNAHAN: (As Midge Maisel) Have I...
SHALHOUB: (As Abe Weissman) Because I don't think you've been on Earth long enough.
LUNDEN: The costume studio is filled with research material, magazines from the period and boards with pictures of locations from the past season. While the show's in production, the studio is also filled with assistants and drapers and dressers. Costumes for the extras are rented - sometimes as many as a thousand an episode. But Zakowska designs everything the lead actors wear, often at the last minute.
ZAKOWSKA: You have to be ready to go. Sometimes the actual script I do not get in my hands until three days before the episode shoots. And so I will occasionally, like, just build some clothes for her thinking this probably will work.
LUNDEN: And Zakowska's period costumes will not work without period undergarments, says Rachel Brosnahan. Her bras and corsets are created by a lingerie maker12 in Paris.
BROSNAHAN: I'm certainly not wearing corsets that are as tight or uncomfortable as I'm sure someone like Midge would have been wearing. But there are many layers of foundation garments. I have pantyhose on and sometimes two petticoats layered together.
LUNDEN: Donna Zakowska's costumes have become so iconic that two of them have made it into the Smithsonian - the baby blue nightgown and pink coat Midge wears when she first improvises13 her stand-up and the little black dress with ribbons on the straps14 she wears when she becomes a professional, just like a real pioneering female comic.
ZAKOWSKA: There was the allusion15 to Joan Rivers in the black dress with the pearls. The whole first season, I never used black on anyone unless it was a beatnik and built to that final black dress.
LUNDEN: After all, black is just an absorption of all the colors in the spectrum16. For NPR News, I'm Jeff Lunden in New York.
1 outfits | |
n.全套装备( outfit的名词复数 );一套服装;集体;组织v.装备,配置设备,供给服装( outfit的第三人称单数 ) | |
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2 guild | |
n.行会,同业公会,协会 | |
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3 byline | |
n.署名;v.署名 | |
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4 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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5 drenched | |
adj.湿透的;充满的v.使湿透( drench的过去式和过去分词 );在某人(某物)上大量使用(某液体) | |
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6 fabric | |
n.织物,织品,布;构造,结构,组织 | |
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7 initially | |
adv.最初,开始 | |
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8 texture | |
n.(织物)质地;(材料)构造;结构;肌理 | |
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9 efficiently | |
adv.高效率地,有能力地 | |
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10 makeup | |
n.组织;性格;化装品 | |
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11 acting | |
n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
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12 maker | |
n.制造者,制造商 | |
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13 improvises | |
临时制作,临时凑成( improvise的名词复数 ); 即兴创作(音乐、台词、演讲词等) | |
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14 straps | |
n.带子( strap的名词复数 );挎带;肩带;背带v.用皮带捆扎( strap的第三人称单数 );用皮带抽打;包扎;给…打绷带 | |
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15 allusion | |
n.暗示,间接提示 | |
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16 spectrum | |
n.谱,光谱,频谱;范围,幅度,系列 | |
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