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(单词翻译:双击或拖选)
Voice 1
Voice 2
And I'm Liz Waid. Spotlight uses a special English method of broadcasting. It is easier for people to understand, no matter where in the world they live.
Voice 1
Mari lives in Tokyo, Japan. She lives with her parents in a small apartment. She is surrounded by the noise and energy of the city.
Voice 2
Ponijao and her family are part of the Himba tribe2 living in Nigeria. Ponijao lives with her parents and eight brothers and sisters. Their small village is far from the city and technology.
Voice 1
Bayarjargal lives in Mongolia. He lives with his older brother and his parents in a traditional Mongolian3 home. Their family farm is surrounded by the wide Mongolian sky.
Voice 2
Hattie does not have any brothers or sisters. She lives with her parents in the city of San Francisco in the United4 States. They live a modern American life.
Voice 1
What do all these babies have in common? It might be difficult to see. There are three girls and one boy. They all live in very different places with different levels of technology. They all have different family situations. But they do have at least one thing in common. They are all part of a film called "Babies."
Voice 2
Today's Spotlight is on the film "Babies." Every culture is different. Raising a baby and being a parent are hard work. And parents do this work differently based on their cultural beliefs. But all of them are doing what they believe is best. In the film "Babies" people can see a little bit of what it is like to raise a baby in a different way.
Voice 1
Alain Chabat is a popular French actor and producer. He had the idea for the film "Babies." In 2005 he brought his idea to Thomas Balmes. Balmes is an experienced5 documentary6 film director7. He films real life. Then he puts the images together to tell a story. Balmes and Chabat decided8 to make Chabat's idea into a film. They would choose four babies in different places and situations from around the world. Then they would film the babies from the time they were born until they took their first steps.
Voice 2
They began to choose babies and families to film. But how do you choose babies to represent9 whole groups of people and whole ways of life? Balmes says that he wanted to choose babies growing up in different situations. But they really only required one thing – love. In an interview with Nick Dawson, Balmes said:
Voice 3
"We went with people who were happy and positive about the arrival10 of a child. It sounds easy, but it is not. Alain was saying all the time that we needed to have joy around, and from ourselves too."
Voice 1
Balmes and Chabat decided on the families before the babies were born. So they did not know if the babies would be boys or girls. Finally, when the babies were born, there were three girls – Ponijao, Mari and Hattie. And there was one boy – Bayarjargal. Parents agreed to let Balmes and other film crews11 record the details of their babies' lives. They agreed to be filmed for about one year.
Voice 2
Balmes began filming in 2006. He did much of the filming himself. But he did depend on some local crews to help him. In all, he captured12 over 400 hours of film. Balmes says that even though he captured many hours on film, there were only a few good parts he could use. And he could not be there for every important event. For example, film crews were only present for one of the babies' births – Bayarjargal's.
Voice 1
The film seems simple. There is no narrator13 - no one explains what you are seeing. Few words appear in the film - only names of places. People watching the film do not need to understand other languages. They do not even need to be able to read! In an interview with Peter Bowen, Balmes explained:
Voice 3
"Babies is probably the clearest, simplest documentary form you can find. I went there and observed and waited and sat and filmed. I did this without influencing the babies. There is not a single part from Babies that I could have written on a piece of paper... Every part was a surprise. These events in the film are so special. They will probably never happen again. You will never again have a baby in Mongolia in his bath and then have a goat come up and drink water out of it."
Voice 2
"Babies" shows how parents and babies around the world do similar things. But they also do these things differently. For example, the film shows how the babies get washed. In Namibia, Ponijao's mother cleans her by licking14 her face. In America, Hattie's father takes her with him into the shower. And in Mongolia, Bayarjargal's mother washes his face with breast15 milk.
Voice 1
The film "Babies" shows life from the eyes of a baby. People who watch the film imagine what it may be like to be the same size as a baby. They observe the babies learning16 about their world. Each baby is in a different place and situation. But they all learn about their world through their family and their experiences.
Voice 2
One way babies learn is through play. Parents may often think a baby needs particular things or toys to play with. But "Babies" shows that this is not true! The babies all have different toys to play with. In Japan, Mari's parents have given her many educational toys. She must try to put all the circles on a long stick. In the film she becomes angry trying to achieve this. But in Namibia, Ponijao plays with simple sticks and bones. And one of Bayarjargal's toys is a roll of toilet paper!
Voice 1
"Babies" is a beautiful film. But it also has a beautiful message for many people. Balmes explains,
Voice 3
"In the process, I understood that the film could be understood in different ways. And in different countries people saw it in different ways. In France, for example, some people saw it as a kind of picture with sweet babies and nothing else. It was just one sweet baby after another. In other places they saw the film being about our changing relationship with the environment. In other places, it was about our relationship with materialistic17 things. I love that the film does not have one meaning, but can have several different ones."
Voice 2
Hattie's father, Frazer also believes the film has an important message for people.
Voice 4
"We let our cultures divide us. But this film really paints a picture of the universality18 of being human. We often have a difficult time seeing this. You definitely19 feel like all these parents are doing the right thing because they are doing it in the spirit that supports the child."
Voice 1
The writer and producer of this program was Liz Waid. The voices were from the United States. All quotes20 have been adapted for this program and voiced by Spotlight. You can listen to this program again, and read it, on the internet at http://www.radioenglish.net This .program is called "The Babies Film."
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收听单词发音
收听单词发音 |
1
spotlight
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| n.公众注意的中心，聚光灯，探照灯，视听，注意，醒目 | |
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tribe
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| n.部落，种族，一伙人 | |
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Mongolian
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| n.蒙古人，蒙古国民，蒙古语；adj.蒙古的；蒙古人的；蒙古语的；蒙古族的 | |
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united
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| adj.和谐的；团结的；联合的，统一的 | |
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experienced
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| adj.有经验的；经验丰富的，熟练的 | |
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documentary
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| adj.文献的；n.纪录片 | |
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director
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| n.主管，导演；主任；理事；董事；处长 | |
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decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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represent
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| vt.表现，表示；描绘，讲述；代表，象征；回忆；再赠送，再上演；vi.提出异议 | |
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arrival
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| n.到达，达到，到达者 | |
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crews
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| n.一群（或一帮、一伙）人( crew的名词复数 )；全体船员；（赛船的）划船队员；一队（或一班、一组）工作人员 | |
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12
captured
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| 俘获( capture的过去式和过去分词 )； 夺取； 夺得； 引起（注意、想像、兴趣） | |
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narrator
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| n.讲述者；解说员；旁白者 | |
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licking
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| n. 殴打，挫败 动词lick的现在分词形式 | |
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breast
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| n.胸部；胸怀 | |
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learning
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| n.学问，学识，学习；动词learn的现在分词 | |
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materialistic
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| a.唯物主义的，物质享乐主义的 | |
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universality
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| n.一般性；普遍性 | |
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definitely
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| adv.一定地，肯定地；明确地，确切地 | |
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quotes
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| v.引用，援引( quote的第三人称单数 )；报价；引述；为（股票、黄金或外汇）报价 | |
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