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(单词翻译:双击或拖选)
Broadcast: Jan 18 2003
While you may not recognize his name, Jim Lauderdale is one of the best-selling songwriters in Nashville.
Those hits he's written for artists George Strait, Patty Loveless and The Dixie Chicks have financed his own 11-CD recording1 career.
His two most recent releases, a solo project titled The 1)Hummingbirds2, and Lost in the Lonesome Pines, his second Grammy-nominated 2)collaboration3 with bluegrass patriarch Ralph Stanley, show Lauderdale's ability at just about every type of country music from bluegrass to the Bakersfield Sound.
The Hummingbirds is the more modern-sounding of the two, showcasing Lauderdale's usual mastery of melodies and smart lyrics4. The optimistic Midnight Will Become Day, opens the album and features harmonies from Emmylou Harris and Julie Miller5.
One song on the CD is a departure from that country-tinged sound. Although unexpected, Jim Lauderdale says the song basically wrote itself in that style. It was no problem for him to find the right musicians to play on the track, either.
"This is just one song that came out in one fell swoop6 one night," says Lauderdale. " So it's called 'It's A Trap' and it's kind of a departure and I've never really done a swing-type song like that." "I'd wanted to work with Tony Rice for a long while," he continues. "He's a great 3)acoustic7 guitar player. And Sam Bush, the great mandolin player, and Stuart Duncan on fiddle8, and a friend of mine named Tony Garnier on acoustic bass9. Tony was the original bass player for Asleep At The Wheel."
On the same day The Hummingbirds was released, Lost In The Lonesome Pines made its debut10. This is the second collaboration between Jim Lauderdale and Ralph Stanley, and like the first, it has been nominated for the Bluegrass Album of the Year Grammy. Not bad for a recording that had a bit of a rough birth. The songs usually come first, before the producer sets up the recording sessions and brings in the band. Not so with Lost In The Lonesome Pines, which was also produced by Jim Lauderdale. "I'd go in the studio and just have some melodies and titles and a vague idea of what the song would be about," laughs Lauderdale. " And I'd just have to go in another room and stall them. Or send them to lunch, or whatever. You know, I'd keep thinking 'OK, I'll do this the night before.' Or 'I'm too sleepy tonight, I can't do this. I'll get up really early, I just can't write anymore. It's not coming out.' " Despite its unusual beginning, Lost In The Lonesome Pines is an album worthy11 of its Grammy nomination12. It showcases Jim Lauderdale's ability to come up with songs like Quit That, tunes13 that sound more like they were recently-rediscovered, than recently-written.
I'm Kornblith.
1) hummingbird[5hQmINb\:d]n. 蜂雀
2) collaboration[kE7lAbE5reiFEn]n. 协作, 通敌
3) acoustic[E5ku:stIk]adj. 有关声音的, 声学的, 音响学的
1 recording | |
n.录音,记录 | |
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2 hummingbirds | |
n.蜂鸟( hummingbird的名词复数 ) | |
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3 collaboration | |
n.合作,协作;勾结 | |
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4 lyrics | |
n.歌词 | |
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5 miller | |
n.磨坊主 | |
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6 swoop | |
n.俯冲,攫取;v.抓取,突然袭击 | |
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7 acoustic | |
adj.听觉的,声音的;(乐器)原声的 | |
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8 fiddle | |
n.小提琴;vi.拉提琴;不停拨弄,乱动 | |
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9 bass | |
n.男低音(歌手);低音乐器;低音大提琴 | |
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10 debut | |
n.首次演出,初次露面 | |
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11 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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12 nomination | |
n.提名,任命,提名权 | |
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13 tunes | |
n.曲调,曲子( tune的名词复数 )v.调音( tune的第三人称单数 );调整;(给收音机、电视等)调谐;使协调 | |
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