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Audio Art Sounds Off at NYC Art Museum 音频声音在纽约市艺术博物馆的艺术
NEW YORK — Art is thought of as a visual medium, but sound is the focus of a new show at the Museum of Modern Art (MoMA) in New York City.纽约——艺术是认为是一种视觉媒介,但声音是一个新节目的焦点在现代艺术博物馆(MoMA)在纽约市。
MoMA presents an auditory landscape with an exhibit called "Soundings, a Contemporary Score."
“The museum-goer walks into a space, and because they are in MoMA, they know they are going to see something traditional, like Picasso," said curator Barbara London. "But they are going to see something very unconventional and maybe surprising. Maybe they’re baffled.”
Many museum-goers are baffled, then amused by Richard Garet’s “Before Me” installation, which amplifies1 the sound of a glass marble spinning on the metal casing of a phonograph turntable.
Sound, video and memory combine in “Music While We Work,” by Hong-Kai Wang, in which Taiwanese retirees record the sounds they heard during their working life at a sugar refinery2.
There’s a common theme among the 16 artists represented here.
“I think most of the artists in the show want you to listen or pause and listen," London said. "They’re saying, ‘Hey, slow down. There are various forms of poetry and beauty in the world.’”
It is the world the unaided human ear cannot hear that animates3 Norwegian artist Jana Winderen’s sound montage, “Ultrafield.”
Winderen used echolocation devices to capture the ultrasonic4 radar5 made by bats, and tiny ultra-sensitive underwater microphones to record the movements of sea beetles6 less than two millimeters long. She wants to draw attention to endangered ecosystems7 in the earth’s hidden worlds, and give the listener a chance to experience their magic.
“It's installed in a dark space," Winderen said. "And I am actually hoping people can slow down and enjoy also the listening experience itself, not necessarily thinking about what it is, or what kind of a message I have with it.”
Some sounds are hiding in plain sight, but we don’t have the subtlety8 of perception to pick them out. At a distance of five meters or so, Tristan Perich’s “Microtonal Wall,” emits “white noise.”
That is a sound containing so many sounds, or pitches, that no individual one can be distinguished9. Leaves rustling10 in the breeze and the ocean surf are both examples of the phenomenon.
Perich has broken four octaves of the musical scale into 1,500 of the pitches that make up those octaves and given each pitch its own small speaker. Close up, or moving slowly past those speakers, one hears their differences.
"My piece, with 1,500 speakers, each playing individual pitches, is still just a finite fraction of this infinite sound," Perich said. "It’s just a gesture towards this idea of the infiniteness of white noise, building it up.”
Sound that is implied, rather than heard, has made some of the loudest buzz at the MoMA show. Camille Norment’s work “Triplight,” consists mostly of a stand-up steel ribbed microphone, circa 1955, used by performers like Billie Holiday and Louis Armstrong. Inside the mic, she has placed a bright flickering11 light.
“One thing I wanted to do was to play with the idea of inability of articulation12, the stuttering voice perhaps, this desire to express oneself and the struggle it often entails," Norment said. "And the light casts a shadow that is reminiscent of vertebrae and ribs13, or a ribcage or a mask. So the piece, in a way, reenacts the presence of the body that is no longer present.”
?Susan Philipsz' “Study for Strings,” is the most heart-wrenching piece in the show. It’s based on a 1943 orchestral work Czech composer Pavel Haas wrote while in a German concentration camp.
Soon after performing the work for a Nazi14 propaganda film, Haas and his orchestra members were killed. The musicians in Philipsz’ artwork play only two of the parts in the score, emphasizing the absence of the other players.
It’s just one of the pieces in the Museum of Modern Art's “Soundings” show that highlight the dance between silence and sound.
1 amplifies | |
放大,扩大( amplify的第三人称单数 ); 增强; 详述 | |
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2 refinery | |
n.精炼厂,提炼厂 | |
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3 animates | |
v.使有生气( animate的第三人称单数 );驱动;使栩栩如生地动作;赋予…以生命 | |
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4 ultrasonic | |
adj.超声的;n.超声波 | |
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5 radar | |
n.雷达,无线电探测器 | |
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6 beetles | |
n.甲虫( beetle的名词复数 ) | |
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7 ecosystems | |
n.生态系统( ecosystem的名词复数 ) | |
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8 subtlety | |
n.微妙,敏锐,精巧;微妙之处,细微的区别 | |
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9 distinguished | |
adj.卓越的,杰出的,著名的 | |
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10 rustling | |
n. 瑟瑟声,沙沙声 adj. 发沙沙声的 | |
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11 flickering | |
adj.闪烁的,摇曳的,一闪一闪的 | |
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12 articulation | |
n.(清楚的)发音;清晰度,咬合 | |
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13 ribs | |
n.肋骨( rib的名词复数 );(船或屋顶等的)肋拱;肋骨状的东西;(织物的)凸条花纹 | |
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14 Nazi | |
n.纳粹分子,adj.纳粹党的,纳粹的 | |
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