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At the little living-room desk Tom Benecke rolled two sheets of flimsy and a heavier top sheet, carbon paper sandwiched between them, into his portable. Interoffice Memo1, the top sheet was headed, and he typed tomorrow's date just below this; then he glanced at a creased2 yellow sheet, covered with his own handwriting, beside the typewriter. "Hot in here," he muttered to himself. Then, from the short hallway at his back, he heard the muffled3 clang of wire coat hangers4 in the bedroom closet, and at this reminder5 of what his wife was doing he though: Hot, no--guilty conscience.
He got up, shoving his hands into the back pockets of his gray wash slacks, stepped to the living-room window beside the desk, and stood breathing on the glass, watching the expanding circlet of mist, staring down through the autumn night at Lexington Avenue, eleven stories below. He was a tall, lean, dark-haired young man in a pullover sweater, who looked as though he had played not football, probably, but basketball in college. Now he placed the heels of his hands against the top edge of the lower window frame and shoved upward. But as usual the window didn't budge6, and he had to lower his hands and then shoot them hard upward to jolt7 the window open a few inches. He dusted his hands, muttering.
But still he didn't begin his work. He crossed the room to the hallway entrance and, leaning against the doorjamb, hands shoved into his back pockets again, he called, "Clare?" When his wife answered, he said, "Sure you don't mind going alone?"
"No." Her voice was muffled, and he knew her head and shoulders were in the bedroom closet. Then the tap of her high heels sounded on the wood floor and she appeared at the end of the little hallway, wearing a slip, both hands raised to one ear, clipping on an earring8. She smiled at him--a slender, very pretty girl with light brown, almost blonde, hair--her prettiness emphasized by the pleasant nature that showed in her face. "It's just that I hate you to miss this movie; you wanted to see it too."
"Yeah, I know." He ran his fingers through his hair. "Got to get this done though."
She nodded, accepting this. Then, glancing at the desk across the living room, she said, "You work too much, though, Tom--and too hard."
He smiled. "You won't mind though, will you, when the money comes rolling in and I'm known as the Boy Wizard of Wholesale9 Groceries?"
"I guess not." She smiled and turned back toward the bedroom.
At his desk again, Tom lighted a cigarette; then a few moments later as Clare appeared, dressed and ready to leave, he set it on the rim10 of the ash tray. "Just after seven," she said. "I can make the beginning of the first feature."
He walked to the front-door closet to help her on with her coat. He kissed her then and, for an instant, holding her close, smelling the perfume she had used, he was tempted11 to go with her; it was not actually true that he had to work tonight, though he very much wanted to. This was his own project, unannounced as yet in his office, and it could be postponed12. But then they won't see it till Monday, he thought once again, and if I give it to the boss tomorrow he might read it over the weekend. . . . "Have a good time," he said aloud. He gave his wife a little swat and opened the door for her, feeling the air from the building hallway, smelling faintly of floor wax, stream past his face.
He watched her walk down the hall, flicked14 a hand in response as she waved, and then he started to close the door, but it resisted for a moment. As the door opening narrowed, the current of warm air from the hallway, channeled through this smaller opening now, suddenly rushed past him with accelerated force. Behind him he heard the slap of the window curtains against the wall and the sound of paper fluttering from his desk, and he had to push to close the door.
Turning, he saw a sheet of white paper drifting to the floor in a series of arcs, and another sheet, yellow, moving toward the window, caught in the dying current flowing through the narrow opening. As he watched, the paper struck the bottom edge of the window and hung there for an instant, plastered against the glass and wood. Then as the moving air stilled completely, the curtains swinging back from the wall to hang free again, he saw the yellow sheet drop to the window ledge15 and slide over out of sight.
He ran across the room, grasped the bottom edge of the window, and tugged16, staring through the glass. He saw the yellow sheet, dimly now in the darkness outside, lying on the ornamental18 ledge a yard below the window. Even as he watched, it was moving, scraping slowly along the ledge, pushed by the breeze that pressed steadily19 against the building wall. He heaved on the window with all his strength and it shot open with a bang, the window weight rattling20 in the casing. But the paper was past his reach and, leaning out into the night, he watched it scud21 steadily along the ledge to the south, half-plastered against the building wall. Above the muffled sound of the street traffic far below, he could hear the dry scrape of its movement, like a leaf on the pavement.
The living room of the next apartment to the south projected a yard or more farther out toward the street than this one; because of this the Beneckes paid seven and a half dollars less rent than their neighbors. And now the yellow sheet, sliding along the stone ledge, nearly invisible in the night, was stopped by the projecting blank wall of the next apartment. It lay motionless, then, in the corner formed by the two walls--a good five yards away, pressed firmly against the ornate corner ornament17 of the ledge, by the breeze that moved past Tom Benecke's face.
He knelt at the window and stared at the yellow paper for a full minute or more, waiting for it to move, to slide off the ledge and fall, hoping he could follow its course to the street, and then hurry down in the elevator and retrieve22 it. But it didn't move, and then he saw that the paper was caught firmly between a projection23 of the convoluted24 corner ornament and the ledge. He thought about the poker25 from the fireplace, then the broom, then the mop--discarding each thought as it occurred to him. There was nothing in the apartment long enough to reach that paper.
It was hard for him to understand that he actually had to abandon it--it was ridiculous--and he began to curse. Of all the papers on his desk, why did it have to be this one in particular! On four long Saturday afternoons he had stood in supermarkets counting the people who passed certain displays, and the results were scribbled26 on that yellow sheet. From stacks of trade publications, gone over page by page in snatched half-hours at work and during evenings at home, he had copied facts, quotations27, and figures onto that sheet. And he had carried it with him to the Public Library on Fifth Avenue, where he'd spent a dozen lunch hours and early evenings adding more. All were needed to support and lend authority to his idea for a new grocery-store display method; without them his idea was a mere28 opinion. And there they all lay in his own improvised29 shorthand--countless30 hours of work--out there on the ledge.
For many seconds he believed he was going to abandon the yellow sheet, that there was nothing else to do. The work could be duplicated. But it would take two months, and the time to present this idea was now, for use in the spring displays. He struck his fist on the window ledge. Then he shrugged31. Even though his plan were adopted, he told himself, it wouldn't bring him a raise in pay--not immediately, anyway, or as a direct result. It won't bring me a promotion32 either, he argued--not of itself.
But just the same, and he couldn't escape the thought, this and other independent projects, some already done and others planned for the future, would gradually mark him out from the score of other young men in his company. They were the way to change from a name on the payroll33 to a name in the minds of the company officials. They were the beginning of the long, long climb to where he was determined34 to be, at the very top. And he knew he was going out there in the darkness, after the yellow sheet fifteen feet beyond his reach.
By a kind of instinct, he instantly began making his intention acceptable to himself by laughing at it. The mental picture of himself sidling along the ledge outside was absurd--it was actually comical--and he smiled. He imagined himself describing it; it would make a good story at the office and, it occurred to him, would add a special interest and importance to his memorandum35, which would do it no harm at all.
To simply go out and get his paper was an easy task--he could be back here with it in less than two minutes--and he knew he wasn't deceiving himself. The ledge, he saw, measuring it with his eye, was about as wide as the length of his shoe, and perfectly36 flat. And every fifth row of brick in the face of the building, he remembered--leaning out, he verified this--was indented37 half an inch, enough for the tips of his fingers, enough to maintain balance easily. It occurred to him that if this ledge and wall were only a yard above ground--as he knelt at the window staring out, this thought was the final confirmation38 of his intention--he could move along the ledge indefinitely.
On a sudden impulse, he got to his feet, walked to the front closet, and took out an old tweed jacket; it would be cold outside. He put it on and buttoned it as he crossed the room rapidly toward the open window. In the back of his mind he knew he'd better hurry and get this over with before he thought too much, and at the window he didn't allow himself to hesitate.
He swung a leg over the sill, then felt for and found the ledge a yard below the window with his foot. Gripping the bottom of the window frame very tightly and carefully, he slowly ducked his head under it, feeling on his face the sudden change from the warm air of the room to the chill outside. With infinite care he brought out his other leg, his mind concentrating on what he was doing. Then he slowly stood erect39. Most of the putty, dried out and brittle40, had dropped off the bottom edging of the window frame, he found, and the flat wooden edging provided a good gripping surface, a half-inch or more deep, for the tips of his fingers.
Now, balanced easily and firmly, he stood on the ledge outside in the slight, chill breeze, eleven stories above the street, staring into his own lighted apartment, odd and different-seeming now.
First his right hand, then his left, he carefully shifted his finger-tip grip from the puttyless window edging to an indented row of bricks directly to his right. It was hard to take the first shuffling41 sideways step then--to make himself move--and the fear stirred in his stomach, but he did it, again by not allowing himself time to think. And now--with his chest, stomach, and the left side of his face pressed against the rough cold brick--his lighted apartment was suddenly gone, and it was much darker out here than he had thought.
Without pause he continued--right foot, left foot, right foot, left--his shoe soles shuffling and scraping along the rough stone, never lifting from it, fingers sliding along the exposed edging of brick. He moved on the balls of his feet, heels lifted slightly; the ledge was not quite as wide as he'd expected. But leaning slightly inward toward the face of the building and pressed against it, he could feel his balance firm and secure, and moving along the ledge was quite as easy as he had thought it would be. He could hear the buttons of his jacket scraping steadily along the rough bricks and feel them catch momentarily, tugging42 a little, at each mortared crack. He simply did not permit himself to look down, though the compulsion to do so never left him; nor did he allow himself actually to think. Mechanically--right foot, left foot, over and again--he shuffled44 along crabwise, watching the projecting wall ahead loom45 steadily closer. . . .
Then he reached it and, at the corner--he'd decided46 how he was going to pick up the paper--he lifted his right foot and placed it carefully on the ledge that ran along the projecting wall at a right angle to the ledge on which his other foot rested. And now, facing the building, he stood in the corner formed by the two walls, one foot on the ledging of each, a hand on the shoulder-high indentation of each wall. His forehead was pressed directly into the corner against the cold bricks, and now he carefully lowered first one hand, then the other, perhaps a foot farther down, to the next indentation in the rows of bricks.
Very slowly, sliding his forehead down the trough of the brick corner and bending his knees, he lowered his body toward the paper lying between his outstretched feet. Again he lowered his fingerholds another foot and bent47 his knees still more, thigh48 muscles taut49, his forehead sliding and bumping down the brick V. Half-squatting now, he dropped his left hand to the next indentation and then slowly reached with his right hand toward the paper between his feet.
He couldn't quite touch it, and his knees now were pressed against the wall; he could bend them no farther. But by ducking his head another inch lower, the top of his head now pressed against the bricks, he lowered his right shoulder and his fingers had the paper by a corner, pulling it loose. At the same instant he saw, between his legs and far below, Lexington Avenue stretched out for miles ahead.
He saw, in that instant, the Loew's theater sign, blocks ahead past Fiftieth Street; the miles of traffic signals, all green now; the lights of cars and street lamps; countless neon signs; and the moving black dots of people. And a violent instantaneous explosion of absolute terror roared through him. For a motionless instant he saw himself externally--bent practically double, balanced on this narrow ledge, nearly half his body projecting out above the street far below--and he began to tremble violently, panic flaring50 through his mind and muscles, and he felt the blood rush from the surface of his skin.
In the fractional moment before horror paralyzed him, as he stared between his legs at that terrible length of street far beneath him, a fragment of his mind raised his body in a spasmodic jerk to an upright position again, but so violently that his head scraped hard against the wall, bouncing off it, and his body swayed outward to the knife edge of balance, and he very nearly plunged51 backward and fell. Then he was leaning far into the corner again, squeezing and pushing into it, not only his face but his chest and stomach, his back arching; and his finger tips clung with all the pressure of his pulling arms to the shoulder-high half-inch indentation in the bricks.
He was more than trembling now; his whole body was racked with a violent shuddering52 beyond control, his eyes squeezed so tightly shut it was painful, though he was past awareness53 of that. His teeth were exposed in a frozen grimace54, the strength draining like water from his knees and calves55. It was extremely likely, he knew, that he would faint, slump56 down along the wall, his face scraping, and then drop backward, a limp weight, out into nothing. And to save his life he concentrated on holding on to consciousness, drawing deliberate deep breaths of cold air into his lungs, fighting to keep his senses aware.
Then he knew that he would not faint, but he could not stop shaking nor open his eyes. He stood where he was, breathing deeply, trying to hold back the terror of the glimpse he had had of what lay below him; and he knew he had made a mistake in not making himself stare down at the street, getting used to it and accepting it, when he had first stepped out onto the ledge.
It was impossible to walk back. He simply could not do it. He couldn't bring himself to make the slightest movement. The strength was gone from his legs; his shivering hands--numb, cold, and desperately57 rigid--had lost all deftness58; his easy ability to move and balance was gone. Within a step or two, if he tried to move, he knew that he would stumble and fall.
Seconds passed, with the chill faint wind pressing the side of his face, and he could hear the toned-down volume of the street traffic far beneath him. Again and again it slowed and then stopped, almost to silence; then presently, even this high, he would hear the click of the traffic signals and the subdued59 roar of the cars starting up again. During a lull60 in the street sounds, he called out. Then he was shouting "Help!" so loudly it rasped his throat. But he felt the steady pressure of the wind, moving between his face and the blank wall, snatch up his cries as he uttered them, and he knew they must sound directionless and distant. And he remembered how habitually61, here in New York, he himself heard and ignored shouts in the night. If anyone heard him, there was no sign of it, and presently Tom Benecke knew he had to try moving; there was nothing else he could do.
Eyes squeezed shut, he watched scenes in his mind like scraps62 of motion-picture film--he could not stop them. He saw himself stumbling suddenly sideways as he crept along the ledge and saw his upper body arc outward, arms flailing63. He was a dangling64 shoestring65 caught between the ledge and the sole of his other shoe, saw a foot start to move, to be stopped with a jerk, and felt his balance leaving him. He saw himself falling with a terrible speed as his body revolved66 in the air, knees clutched tight to his chest, eyes squeezed shut, moaning softly.
Out of utter necessity, knowing that any of these thoughts might be reality in the very next seconds, he was slowly able to shut his mind against every thought but what he now began to do. With fear-soaked slowness, he slid his left foot an inch or two toward his own impossibly distant window. Then he slid the fingers of his shivering left hand a corresponding distance. For a moment he could not bring himself to lift his right foot from one ledge to the other; then he did it, and became aware of the harsh exhalation of air from his throat and realized that he was panting. As his right hand, then, began to slide along the brick edging, he was astonished to feel the yellow paper pressed to the bricks underneath67 his stiff fingers, and he uttered a terrible, abrupt68 bark that might have been a laugh or a moan. He opened his mouth and took the paper in his teeth pulling it out from under his fingers.
By a kind of trick--by concentrating his entire mind on first his left foot, then his left hand, then the other foot, then the other hand--he was able to move, almost imperceptibly, trembling steadily, very nearly without thought. But he could feel the terrible strength of the pent-up horror on just the other side of the flimsy barrier he had erected69 in his mind; and he knew that if it broke through he would lose this thin artificial control of his body.
During one slow step he tried keeping his eyes closed; it made him feel safer shutting him off a little from the fearful reality of where he was. Then a sudden rush of giddiness swept over him and he had to open his eyes wide, staring sideways at the cold rough brick and angled lines of mortar43, his cheek tight against the building. He kept his eyes open then knowing that if he once let them flick13 outward, to stare for an instant at the lighted windows across the street, he would be past help.
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1
memo
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| n.照会，备忘录；便笺；通知书；规章 | |
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creased
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| （使…）起折痕，弄皱( crease的过去式和过去分词 )； （皮肤）皱起，使起皱纹； 皱皱巴巴 | |
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3
muffled
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| adj.（声音）被隔的；听不太清的；（衣服）裹严的；蒙住的v.压抑，捂住( muffle的过去式和过去分词 )；用厚厚的衣帽包着（自己） | |
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hangers
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| n.衣架( hanger的名词复数 )；挂耳 | |
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reminder
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| n.提醒物，纪念品；暗示，提示 | |
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budge
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| v.移动一点儿；改变立场 | |
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jolt
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| v.（使）摇动，（使）震动，（使）颠簸 | |
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earring
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| n.耳环，耳饰 | |
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wholesale
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| n.批发；adv.以批发方式；vt.批发，成批出售 | |
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rim
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| n.(圆物的)边，轮缘；边界 | |
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tempted
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| v.怂恿（某人）干不正当的事；冒…的险（tempt的过去分词） | |
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12
postponed
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| vt.& vi.延期，缓办，（使）延迟vt.把…放在次要地位；[语]把…放在后面（或句尾）vi.（疟疾等）延缓发作（或复发） | |
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13
flick
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| n.快速的轻打，轻打声，弹开；v.轻弹，轻轻拂去，忽然摇动 | |
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14
flicked
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| （尤指用手指或手快速地）轻击( flick的过去式和过去分词 )； （用…）轻挥； （快速地）按开关； 向…笑了一下（或瞥了一眼等） | |
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15
ledge
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| n.壁架，架状突出物；岩架，岩礁 | |
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tugged
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| v.用力拉，使劲拉，猛扯( tug的过去式和过去分词 ) | |
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ornament
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| v.装饰，美化；n.装饰，装饰物 | |
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ornamental
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| adj.装饰的；作装饰用的；n.装饰品；观赏植物 | |
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steadily
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| adv.稳定地；不变地；持续地 | |
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rattling
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| adj. 格格作响的, 活泼的, 很好的 adv. 极其, 很, 非常 动词rattle的现在分词 | |
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scud
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| n.疾行；v.疾行 | |
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retrieve
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| vt.重新得到，收回；挽回，补救；检索 | |
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projection
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| n.发射，计划，突出部分 | |
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24
convoluted
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| adj.旋绕的；复杂的 | |
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poker
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| n.扑克；vt.烙制 | |
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scribbled
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| v.潦草的书写( scribble的过去式和过去分词 )；乱画；草草地写；匆匆记下 | |
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27
quotations
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| n.引用( quotation的名词复数 )；[商业]行情（报告）；（货物或股票的）市价；时价 | |
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mere
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| adj.纯粹的；仅仅，只不过 | |
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improvised
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| a.即席而作的,即兴的 | |
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countless
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| adj.无数的，多得不计其数的 | |
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shrugged
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| vt.耸肩（shrug的过去式与过去分词形式） | |
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promotion
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| n.提升，晋级；促销，宣传 | |
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33
payroll
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| n.工资表，在职人员名单，工薪总额 | |
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34
determined
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| adj.坚定的；有决心的 | |
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memorandum
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| n.备忘录，便笺 | |
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perfectly
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| adv.完美地，无可非议地，彻底地 | |
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indented
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| adj.锯齿状的，高低不平的；缩进排版 | |
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38
confirmation
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| n.证实，确认，批准 | |
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erect
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| n./v.树立，建立，使竖立；adj.直立的，垂直的 | |
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40
brittle
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| adj.易碎的；脆弱的；冷淡的；(声音)尖利的 | |
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41
shuffling
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| adj. 慢慢移动的, 滑移的 动词shuffle的现在分词形式 | |
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42
tugging
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| n.牵引感v.用力拉，使劲拉，猛扯( tug的现在分词 ) | |
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43
mortar
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| n.灰浆，灰泥；迫击炮；v.把…用灰浆涂接合 | |
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44
shuffled
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| v.洗（纸牌）( shuffle的过去式和过去分词 )；拖着脚步走；粗心地做；摆脱尘世的烦恼 | |
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45
loom
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| n.织布机，织机；v.隐现，(危险、忧虑等)迫近 | |
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46
decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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47
bent
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| n.爱好，癖好；adj.弯的；决心的，一心的 | |
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48
thigh
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| n.大腿；股骨 | |
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49
taut
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| adj.拉紧的，绷紧的，紧张的 | |
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50
flaring
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| a.火焰摇曳的，过份艳丽的 | |
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51
plunged
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| v.颠簸( plunge的过去式和过去分词 )；暴跌；骤降；突降 | |
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52
shuddering
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| v.战栗( shudder的现在分词 )；发抖；（机器、车辆等）突然震动；颤动 | |
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53
awareness
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| n.意识，觉悟，懂事，明智 | |
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54
grimace
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| v.做鬼脸，面部歪扭 | |
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55
calves
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| n.(calf的复数)笨拙的男子，腓；腿肚子( calf的名词复数 )；牛犊；腓；小腿肚v.生小牛( calve的第三人称单数 )；（冰川）崩解；生（小牛等），产（犊）；使（冰川）崩解 | |
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56
slump
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| n.暴跌，意气消沉，（土地）下沉；vi.猛然掉落，坍塌，大幅度下跌 | |
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57
desperately
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| adv.极度渴望地，绝望地，孤注一掷地 | |
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58
deftness
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59
subdued
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| adj. 屈服的，柔和的，减弱的 动词subdue的过去式和过去分词 | |
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60
lull
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| v.使安静，使入睡，缓和，哄骗；n.暂停，间歇 | |
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61
habitually
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| ad.习惯地，通常地 | |
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62
scraps
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| 油渣 | |
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63
flailing
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| v.鞭打( flail的现在分词 )；用连枷脱粒；（臂或腿）无法控制地乱动；扫雷坦克 | |
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64
dangling
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| 悬吊着( dangle的现在分词 )； 摆动不定； 用某事物诱惑…； 吊胃口 | |
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65
shoestring
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| n.小额资本；adj.小本经营的 | |
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66
revolved
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| v.（使）旋转( revolve的过去式和过去分词 )；细想 | |
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67
underneath
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| adj.在...下面，在...底下；adv.在下面 | |
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68
abrupt
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| adj.突然的，意外的；唐突的，鲁莽的 | |
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69
ERECTED
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| adj. 直立的，竖立的，笔直的 vt. 使 ... 直立，建立 | |
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